Publications


Book Chapters

Klangfläche Technique: Orchestrating Melodic-Harmonic Divorce.” In The Oxford Handbook of Orchestration Studies, edited by Julie Delisle, Robert Hasegawa, Jason Noble, and Moe Touizrar. Oxford University Press (forthcoming).


Co-authored Journal Articles

Reymore, Lindsey, Matthew Zeller, Benjamin Duinker, Nicholas Shae, Christopher Wm. White, Leigh VanHandel, and Nicole Biamonte. “Timbre in Popular Song.” In preparation.

Shae, Nicholas, Lindsey Reymore, Christopher Wm. White, Benjamin Duinker, Leigh VanHandel, Matthew Zeller, and Nicole Biamonte. “Diversity in Music Corpus Studies.” Music Theory Online 30, no. 1 (February 2024): 30.1.8.


Refereed Conference Proceedings

Klangfarbenmelodie in 1911: Anton Webern’s Opp. 9 and 10.” In Proceedings of the 2nd International Conference on Timbre (Timbre 2020), edited by A. Zacharakis, C. Saitis, K. Siedenburg, 149–52. Thessaloniki: Aristotle University, 2020.



Other Articles

The King Is in the Details: Recreating the Lost Decorations.” Of Note, Metropolitan Museum of Art, August 2015.

“Deconstructing the King.” The Strad, June 2015, 24–31.

“Unweaving the Rainbow.” The Strad, April 2014, 42–47.


Technical Drawings

Violoncello by Andrea Amati, the King. Supplement to The Strad, June 2015.

Anonymous Viola Bow. National Music Museum, 2014.

Recorder by Jan Juriaesnz van Heerde. National Music Museum, 2014.